Gaga-fying the world -- one raised eyebrow at a time.

By FRANCIS DASS

(REVISED VERSION)

Just how hot is Lady Gaga? Her Bad Romance music video on youtube.com has garnered more than 92 MILLION views --  AND STILL COUNTING!

Imagine if you would, Donatella Versace having a love-child with a man who is the result of splicing together filmmakers David Lynch and Tim Burton, then you would most definitely get the very real and fashionably out-of-this-world Lady Gaga.

Coming like an intermittent downpour on the pop music scene in the beginning with Just Dance, she managed to make an impact on listeners young and old early last year. The song was lightweight synth-pop reminiscent of disco pop tunes of the 80s and 90s. In terms of looks, the video was cheap and cheerful. Was she yet-another-Britney-clone type of artiste, many wondered.

The lyrics of Just Dance was suitably silly, talking about not knowing which club Gaga was in, lost phones and the song also mentions her having had a bit too much to drink, amongst an assortment of the singer's other seemingly harmless and ditzy observations/experiences. The song was completely unserious.

Interestingly, the first ones who were humming the song and miming the words in Kuala Lumpur were teenagers. Not ordinary teenagers, but terribly hip ones. They took to Gaga's dance song like duck to water.

As Just Dance went into heavy rotation on the video music channels, it became an almost overnight hit with pop music fans everyhwere.

Then, as the pop pundits sat back and wondered what this strange woman will deliver next, out came Poker Face.

On Poker Face Gaga sang like some kind of a stern instruction-voiceover to a Dummies Guide to Singing audio book! Her voice delightfully matched the formulaic pop-beat of the song.

Like the earlier video, Poker Face's music video was nothing much to scream about. Just Dance had Akon and pop lightweight Colby O'Donis gracing it. Poker Face was all Gaga and cohorts. Her unique style was expertly harnessed: the wigs, the weird costumes and metal plates stuck on the face (these would become her trademarks in subsequent music videos) were plain for all to see.

From these videos It was obvious that, like a typical New Yorker that she was, Gaga held an amoral view of the human body (nudity) and of relationships.

However, what WAS worth screaming about was her appearance in the Adam Lambert season of American Idol last year. Her stunning live performance of Poker Face on the show had global music fans scrambling to find out more about her. She was superbly theatrical and mesmerising during that Idol performance. The intermittent rain that was Gaga had changed to a full-blown Category 4 hurricane.

It was as if Gaga had pushed aside the imaginary bouncers guarding the global music stage and scampered single-mindedly towards the limelight at the centre with the hit song Poker Face. The song is not revolutionary -- it sounds like a standard-issue synth-pop concoction. It's just that the timing and delivery were pitch perfect.

With lines like, "Russian roulette is not the same without a gun" and "And baby when it's love if it's not rough it isn't fun..." -- listeners were hooked to this naughty young lady.

As a result, those who knew of her music loved Poker Face even more and those who didn't, clamoured for news of Gaga: just who was this Gaga?

Gaga is New York-born Stefani Joanne Angelina Germanotta, the daughter of an Italian-American multimillionaire Internet entrepreneur. She was born on March 28, 1986. In case you wondered, both her parents are extremely proud of their daughter.

Her New York origins largely explains her rather avant garde and over-the top sensibilities. The bisexual Gaga's  I-don't-give-a-damn-what-people-are-gonna-say outlook on life has lent her mystique -- that which took silverscreen stars years to attain, she has gained almost overnight, within a span of a year!

Her pop-star name, as everyone knows by now, is a reference to Queen's hit song, Radio Gaga. Apparently one of the many songs she wrote reminded someone of the great Queen's song and they referenced her as Gaga and she took to it.

Her stars started shining brighter with the next hit song Paparazzi. It was a love song and an ode to fame at the same time.

The video was visually stunning and was simultaneously Lynchian and Burtonesque in the way it told the Gaga story of being wronged by a man, then how her deep love brought her back to form -- and the adoration of the masses!

You see, in Gaga's universe, grave bodily injuries and a wheelchair are not enough to stop a natural-born showgirl like Gaga. For her, with the help of her trusty dancers, THE SHOW MUST GO ON! Burlesque and the grotesque are happily married in Paparazzi. The video was a beautifully conceptualised and artistically realised.

In the Paparazzi music video, audiences had a hilarious glimpse of how Gaga liked her men: dead!

In real life, Gaga, you see, suffered from a really bad break up with an ex called Luke. So, if you listen to any Gaga song that deals with relationship, trust Luke to figure somewhere in there.

Late last year, though, Gaga became a full-fledged Category 5 hurricane in the pop realm with the song Bad Romance.

The thumping Bad Romance is an anthemic dance floor scorcher that is stunningly epic. The music video can only be described as being simultaneously theatrical and visceral! Bad Romance is ten times better and even more over-the-top than the celebrated Paparazzi. It's like James Cameron Avatar to his Titanic, if you like.

Just last week, Rick Dees announced that Gaga's Bad Romance has topped his popular Top 40 radio show.

Thanks to her uncompromising style, Gaga has now become extremely hot property in the music industry, topping charts all over the world. She has also  started collaborating with big names, like the sizzling hot Beyonce.

After reading all this, if you are still asking, "Just how hot is Gaga, exactly?", the answer to that is that her video for Bad Romance alone on www.youtube.com has had 92, 483, 282 views. That's more than 92 MILLION views folks! And still rising. It's a staggering number by any measure.

(Gaga's Just Dance has garnered almost 95 million views on youtube.)

All we can say is Go Go Gaga, as her spectacular career unfolds right before our very eyes!

http://www.ladygaga.com/photos/detail.aspx?fid=15765&phid=15774

Golden Globes kicks off movie awards season!

2010 Golden Globes Awards

By FRANCIS DASS

I saw Ricky Gervais just now. No, not in person, but on television, where he was was hosting The Hollywood Foreign Press Association's 2010 Golden Globes Awards.

The Golden Globes, in case you didn't know, is the awards show that kicks off the movie awards season -- not only in America but also the rest of the world. It -- USUALLY! -- foretells of what will transpires during Oscar night on March 7th. (Sometimes, the Oscars' Academy Awards gang like to cause an upset or two!)

Anyway, back to the 49-year old Englishman Gervais. I usually do not like the man at all. His humour never did translate over well with me. So, I have always avoided his shows (he is the man behind the original The Office in UK -- the show which was then transposed to American television audiences with the extremely likeable Steve Carell at the helm.)

Anyway, as host of the Golden Globes this year, Gervais has indeed chalked a new chapter for all other hosts in future at any awards programme: he has perfected the role of a host as a facilitator to the proceedings rather than the traditional one of the host aggrandizing him/herself to no end. (Sorry Whoopi -- although you ARE indeed very funny -- you are into that self-edification mode that comedians often fall into. Ditto to Jon Stewart of The Today Show.)

Gervais, on the other hand, was very much interested in pushing the programme along, oiling it remarkably with irreverent jokes.

Anyway, back to the Hollywood galaxy (which is not very, very far away) and its constellation of luminous stars.

As expected, Avatar won Best Motion Picture (Drama) and its director James Cameron won the best director golden globe.

Cameron said what the whole world knows by now: he and all the people gathered in the auditorium had the best jobs in the world. It is fitting indeed that Avatar ended on such a top note, as it is still number one at the box offices in the US and around the world. The film has collected a staggering US$1.6 billion around the world (stateside alone, it has bagged almost US$500 million!)

The golden Globes not only celebrates movies on the silverscreen but also television programming, and thus, it was a great, big, fat delight for everyone indeed that TV series Glee won Best Television Series (Musical or Comedy).

In accepting the award, one of Glee's producer/creators said the funniest thing that night when he described the actors in the musical comedy as "fake sexy-teen cast". On a more serious note, he posited that the show is about the importance of arts education and that Glee is -- laugher still had the last laugh! -- made for "anybody and everybody who got a wedgie in school!"

That high of an acceptance speech was easily matched by Robert Downey Jr who won the Best Performance by an Actor in a Motion Picture (Musical or Comedy) nod. In a hilarious speech, that demonstrated this Hollywood royal's wit and intelligence, he demonstrated mock-hubris in the face of all the other overdone acceptance speeches where the stars feigned to be full of humility and gratitude. But a few seconds past not wanting to thank the talented cast and crew that make movies happen, he did thanks those involved in the intoxicatingly clever Sherlock Holmes where his performance was nothing short of magical.

Another funny notable moment was offered by Todd Phillips, director an producer of extremely funny movie, The Hangover, which won Best Motion Picture (Musical or Comedy). Phillips had said he was afraid at winning this award in case he got into a fist fight with Harvey Weinstein, whose musical Nine was up in the  same category.

"But I have My Tyson on my side," Phillips cleverly said, too close his joke, which was appreciated by everyone.

Paul McCartney was a presenter for the Best Animated Feature Film and he CRACK-ed a gem of a joke too. He said animated movies are enjoyed by kids and drug-taking adults, vaguely quipping about the good old drug-fuelled days of long ago.

Talking of speeches, although it was a dignified speech, I was rather put off by Mo'Nique, the actress who bagged the Best Performance by an Actress in a Supporting Role in a Motion Picture award for her turn in Precious. She took herself too seriously (as did all the other Precious people seated at her table -- making it look like the Grim Reaper's table!) -- with the exception being the sunny spirited Gabourey Sidibe who played the lead role in Precious.

Other memorable moments at the Golden Globes this year was seeing James Cameron's oldest and dearest friend California Governor Arnold Schwarzenegger introducing Avatar, the sight of Mike Tyson coyly stepping into the world of filmed entertainment and, of course, the sight of George Lucas seated right at the front table, a few feet away from the presenters -- the most important seat in the house, we reckon, since he is like Zeus, compared to the rest of them!

Gervais, to his great credit, delivered the funniest lines and ribbed his guest to the max. Paul McCartney, who handed out  the animated movies prize got ribbed as did Mel Gibson, just before Gibson gave out the award to director James Cameron.

Gervais had said: "I like a drink as much as the next man, unless the next man is Mel Gibson!" This truly was funny -- Gibson has been arrested slandering Jews a while back while driving under the influence -- and this clearly threw off even the good-humoured Gibson who laughed and flubbed momentarily.

Gervais started the evening with some fabulous jokes: how performers have all put on the show of the best work -- the best work of plastic surgeons, that is! --  and an interplay with Steve Carell who is more famous than Gervais thanks to the stunning global success of the American version of The Office and when Carell mockingly gestured that he would break Gervais in two when Gervais was getting "personal" and "rude".

Here is the complete list of the winners at the 2010 Golden Globes:

Best Motion Picture - Drama: Avatar

Best Performance by an Actor in a Motion Picture - Drama: Jeff Bridges (Crazy Heart)

Best Performance by an Actor in a Motion Picture - Musical or Comedy: Robert Downey Jr (Sherlock Holmes)

Best Performance by an Actress in a Motion Picture - Drama: Sandra Bullock (The Blind Side)

Best Motion Picture - Musical or Comedy: The Hangover

Best Television Series - Musical or Comedy: Glee

Best Director - Motion Picture: James Cameron (Avatar)

Best Performance by an Actor in a Supporting Role in a Motion Picture: Christoph Waltz (Inglourious Basterds)

Best Performance by an Actress in a Supporting Role in a Series, Mini-Serirs or Motion Picture Made for Television: Chloe Sevigny (Big Love)

Best Television Series - Drama: Mad Men

Best Foreign Language Film: Das weisse Band (Germany)

Best Performance by an Actor in a Television Series - Musical or Comedy: Alec Baldwin (30 Rock)

Best Screenplay - Motion Picture: Up In The Air

Best Performance by an Actress in a Series, Mini-Series or Motion Picture Made for Television: Drew Barrymore (Grey Gardens)

Best Performance by an Actor in a Series, Mini-Series or Motion Picture Made for Television: Kevin Bacon (Taking Chance)

Best Performance by an Actress in a Motion Picture - Musical or Comedy: Meryl Streep (Julie & Julia)

Best Mini-Series or Motion Picture for Television: Grey Gardens

Best Original Score - Motion Picture: Up

Best Originl Song - Motion Picture: Crazy Heart

Best Performance by an Actress in a Television Series - Drama: Julianna Margulies (The Good Wife)

Best Performance by an Actor in a Television Series - Drama: Michael C. Hall (Dexter)

Best Animated Film: Up

Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television: John Lithgow (Dexter)

Best Performance by an Actress in a Television Series - Musical or Comedy: Toni Collette (United States of Tara)

Best Performance by an Actress in a Supporting Role in a Motion Picture: MoNique (Precious)

And you might just be CASE 40 if you are easily scared!

MOVIE REVIEW

By FRANCIS DASS

CASE 39

Directed by Christian Alvart

Starring Renee Zellweger, Jodelle Ferland, Ian McShane, Kerry O'Malley, Callum Keith Rennie, Bradley Cooper, Adrian Lester, Georgia Craig, Cynthia Stevenson, Mary Black

(SPOILER ALERT: The first paragraph pretty much reveals what the film is all about. Read on at your own peril.)

Remember that fabulous modern Japanese horror classic The Ring (Ringu) from 1998? If you are a horror aficionado, you probably do. Well, if dear departed and supremely demented pre-teen Sadako had an American kin, she would probably be very much like Lily in Case 39.

This movie starts off innocuosly enough. Lily (Jodelle Ferland) is just an ordinary child who is so very sweet. Sadly, she is having a troubled young life. Her grades, you see, are down. And she is unable to sleep. You'd be distressed too if your parents are trying to kill you all the time. And mind you, these are not her foster parents. These are her own BIOLOGICAL parents -- and they are very biologically intent on killing this sweet child.

(I know, I know -- that comparison with Sadako gave pretty much a lot away. But the real fun is in watching this film -- it is rather well constructed.)

Anyway, it should come as no surprise at all that a child welfare woman Emily Jenkins (Renee Zellweger) is terribly concerned when she reads the case file numbered 39. She wonders if poor Lily is being abused in anyway at home. If that is the case, could Emily perchance do something to help the poor child?

Following departmental procedure, she pays Lily a visit and finds her parents' behaviour odd. To be frank, they are freaks. The opening scenes that extend to include Emily's visit, are excellent with really, REALLY tight shots (so tight, you feel like saying out aloud, apologetically, "Oh, so sorry Miss Zellweger -- I didn't mean to be so in your face! Oops, you two too -- Mr and Mrs Lily's parents!"). The tension during these moments are so, well, taut, in fact, if you were a musician, you could pluck the spooky Psycho violin tune during these times! Provided you could un-tense yourself, in the first place, to pluck the strings. The acting, of course, has to work for such directorial devices to work and the cast is rather up to the task.

Anyway, not following departmental procedure, Emily pokes her nose into the Lily family's affair and ends up rescuing the little girl from being roasted alive. Yes, literally, as her parents go completely Middle Eastern on Lily and try to "kebab" her.

Lily, is a little maestro at mind games and before you can say, "Emily you stupid fool...", Lily's parents are jailed and Emily has already taken the girl into her very own home. Oh, and a few people around Emily either die or are murdered under suspicious conditions soon after.

What transpires as a result and what Lily is capable of make for an intriguing watch indeed. Case 39 sees, Zellweger (who, incidentally, looks like she has those chipmunk cheeks that are full of nuts, or whatever!) giving a good leading lady performance. We can only hope she attends therapy regularly after being so frazzled playing the role. The child actress Ferland is suitably creepy and understated at times and menacingly over-the-top at the right moments. Mercifully, she is nothing like the horrid child actress that Dakota Fanning was -- Fanning always over-acted or constantly over-emoted and ruined many movies in the process! (However, luckily for movie addicts, Fanning has grown up finally understanding what tolerable acting is all about in "Push" and "New Moon").

Case 39 ends as it should and you won't leave the hall saying, "Why do all horror movies have such stupid endings, as if anyone wants to see a sequel!" Oops, did we just give away the ending?

This is not a major movie by any measure, so the spoliers sprinkled here should not spoil your appetite if you are an avid movie fan and enjoy a good scare!

SHERLOCK HOLMES IS THE REAL ROCK-AND-ROLLER DEAL!

MOVIE REVIEWS

By FRANCIS DASS


SHERLOCK HOLMES
Directed by Guy Ritchie
Starring Robert Downey Jr., Jude Law, Rachel McAdams, Mark Strong, Eddie Marsan, Robert Maillet, Geraldine James, Kelly Reilly, WIlliam Houston, Hans Matheson, James Fox, William Hope, Clive Russell

When watching Sherlock Holmes, remember that you are probably watching a film that will most probably win the Best Picture Oscar in 2010. That's because Sherlock Holmes has to be 2009's best movie so far. Heck, I would even say that it is the best movie to have come out in the last five years.

It is the kind of film that starts off as a curiosity as you wonder how differently can Holmes be portrayed other than wearing a deer stalker hat, wearing a tartany cloak and, possibly, smoking a pipe. The truth is, initially, anyway, Basil Rathbone's traditional portrayal of Holmes from ages ago still seems definitive and sticks in most people's mind. But then you quickly become enthralled by THIS reimagining of the Victorian Holmes as delivered by -- of all people (I was surprised to find out, anyway) -- Guy Ritchie!

The acting is smart, the script is sharp, the direction is aces and the soundtrack that chases each scene in the film is SO very funky that your sense of delight will be switched on throughout this most excellent film!

The film tells the tale of Sherlock Holmes (Robert Downey Jr) -- a character created by Scottish doctor-writer Sir Arthur Conan Doyle (1859-1930) -- solving the case of magic and mystery involving the sinister Lord Blackwood (Mark Strong), who is part of a delusional secret society which practices the black arts. Lord Blackwood, like all his fellow megalomaniac cinematic villains, has a keen eye on world domination and he uses trickery to manipulate the weak minded masses (you know, supposed sacrifical offerings, rising from the dead and the like) and comes very close to achieving his dastardly dreams.

Luckily for us, Holmes is on our side. The combination of our heroic detective's keen sense of observation and deduction AND the able assistance of his good friend Dr John Watson (Jude Law), overcome and foil Blackwood's plans, causing the latter to be apprehended and hanged.

But HANG on a minute indeed! As news of Blackwood's rising from the dead spreads and people fear his great powers, Holmes dives headlong into the secret world of research that Blackwood had commissioned and undoes (or rather, explains to the audience) the so-called magic as nothing more than science. If our beloved Gil Grissom from television's CSI had an English forefather, then you can bet that it would have been this particular Holmes!

A movie is nothing without good actors and what really makes Sherlock Holmes fly as a movie is Downey's performance. There's absolutely nothing down-ny about this superb actor's portrayal of the supersleuth. He carries this movie on his strong able shoulders with equal measures of a rascally disdain for propriety, manly callousness and machismo.

Downey's Holmes is very alert to the world he lives in and at the same time very bored with it. He thrives on challenges and lives for it. There's a recklessness to his character that could only come from Downey's real life drug-and-drink excesses. The actor is anything but a bore and he most definitely has character!

The witty lines are superbly delivered. Downey's expressions are also rich and priceless. Despite the films masterly use of stunts and special effects, if anyone deserves a Best Actor Oscar this year, it has to be Downey!

Jude Law, who is absolutely not leading man material at all as all his previous films have made obvious, is surprisingly effective as Holmes' good friend and confidante, Dr Watson. They share a believable bond of friendship and a fondness for one another. Their banter, willingness to protect one another and "addiction" to danger is infectious. Theirs is a friendship that promises to endure through many more sequels.

Into this manly mix of things, we find two rather interesting women. There's the spunky Irene Adler (Rachel McAdams) who is as wily, rascally and off-the-straight-and-narrow-path as Holmes, her lover, is. Their attraction towards one another is beguiling and the way they foil one another is delightful. At Dr Watson's side is Mary Morstan (Kelly Reilly), who is a trustworthy and strong woman. The women match their men equally, in Ritchie's imagining of the Victorian universe. The characters appeal to our modern sensibilities of justice, right, wrong and equality are spot on.

Scattered throughout the film are also highly watchable characters like Inspector Lestrade (Eddie Marsan). Everyone, it appears, is working with a certain level of intelligence.

As for Guy Ritchie. One can only say that it is good that he is rid of that trampy Madonna as a wife. It looks like this man-solo is revitalised as a director, as you can clearly see here. His direction in Sherlock Holmes is tight, the look sexy and the pacing riveting! His eye for details is nothing short of impeccable. Magic moments that everyone will remember surely must be Ritchie's cinematic reconstruction of how Holmes' mind works: the way in which Holmes works out his sequence of actions when confronted by a foe.

If Ritchie's earlier "Lock, Stock and Two Smoking Barrels" (1998) and 2000's "Snatch" both seemed gimmicky and came across as trying-a-bit-too-hard to win him respect as a filmmaker, then, you can safely say that the man has indeed arrived as an ace director with Sherlock Holmes.

If there is one movie that you just simply have to see in this brand new year, then make it Sherlock Holmes. It will take your breath away in the most satisfying manner!